A Colorful Craftsman Bungalow

The small Takoma Park, MD Craftsman bungalow, on a hill above the street, faces north, and is surrounded by mature trees.  In the shade and low sunlight, the house can easily melt into the background.  Previously the owner addressed that problem with a warm yellow gold main color accented with a brick orange and sage green (see before pictures, at end).  The roof is a deep brick-red. 

My client, a friend and neighbor, was ready for a change.  I had previously consulted on her interior palette – replacing her off-whites with cool, sophisticated tones of greyed green (see interior colors).  Delighted with the varied, soft transitions of her new interior, she found that the exterior colors didn’t really mesh with them.  So she came to me again for an exterior color consultation.  While still wanting a bright, welcoming feel to the exterior, she wanted the palette to extend seamlessly from the outside to inside.  

 

A colorful palette -- Blue/Grey Primary, Sage Green Secondary, Firey Red/Orange Accent

If you’ve followed some of my other color conversions, you know that I usually prominently incorporate a “near-complement” accent color.  Instead her interior is composed exclusively of tints and tones of a single complex greyed-green.  The exception is a warm off-white color on all the wood trim.  I used this subdued, sophisticated palette in her interior because she has a lot of reddish/orange artwork and antique furniture with a reddish patina.  Thus, the artwork and furniture became the “near-complement” accent. 
 

Accent Windows With Color Instead of Typical White Trim

The exterior palette gave me the opportunity to highlight a near-compliment accent — a fiery red/orange (Benjamin Moore 077) — alongside colors analogous with the interior shades (blue/green) but much more saturated than her interior.  The main color is a saturated blue/grey (Benjamin Moore 2129-40) – analogous to the interior greens but more saturated.  The secondary color is a greyed green that I used as the deep accent  color in the interior.  It’s more saturated that the other interior colors and is sufficiently saturated to coordinate well with the exterior shades. 

The Firey Red/Orange is a Near-Complement to Blue/Grey Primary Color -- which makes both more vibrant.

 
Note that I also had the pleasure of doing this with a Takoma Park bungalow – a community and a house style that welcomes bright colors.  This exterior color combination would not be welcome in many communities and house-styles. 

The blue and green fit well into the shady environment while the fiery red/orange makes these colors more vibrant and sets the home apart from the shade.  The blue and green exterior provides a vibrant echo of the interior tones.  Blue and white pottery visible as you enter bring the exterior blue indoors.  The red-orange is picked up in flashes of the vivid, warm colors of the owner’s folk art collection.

Exterior Colors Coordinate with Interior Accents

 

My client says:  “My humble little house is as beautiful as any palace.  Marvelous, harmonious colors turn the inside and outside into one glorious whole.  The outside is more vibrant and welcoming, and the inside more calm and relaxing, just as I would want them to be.  I wouldn’t trade it for all the granite countertops and stainless steel appliances in the world.”

 

Before - View 1

 

Before - View 2 - Notice How much more Vibrant The Red Roof Looks with the New Blue/Grey Than the Original Yellow/Gold

The Glass Countertop is the Centerpiece of the Bath

We just completed an unabashedly modern bath in this 1864 row house in the Dupont Circle neighborhood in Washington, DC.  The bath had been allowed to deteriorate badly (see before image at end). 

Glass Countertop Is A Dramatic Centerpiece:  The centerpiece of this bath remodel is a custom glass countertop with integral glass sink.  The unit is very large – the countertop measures 88” long with a sink formed as part of the countertop that measures 28” x 15” x 6” deep.  The glass — 3/4” thick – has been sandblasted on the back.  The glass is standard float glass – like what you have in your windows.  We don’t see the green tint unless you look at the glass on edge or you sandblast it as we’ve done here.  The glass is raised 1/2 “above the vanity with chrome standoffs (the round discs you can see through the countertop in the image below).

Wall-mounted soap and cup holders help keep clutter off the countertop – as does the large 52” high 8” deep cabinet above the toilet. 

The Custom Sink is Large & Deep

Roomy, Light-Filled Shower:  Large format (12” x 24”) porcelain tile used for the backsplash and for the shower almost perfectly matches the tint in the glass.  The tile has slate blue and grey veining which is repeated in the grout color and the custom grey stained cabinetry. 

Light-Filled Shower

The Shower measures 48” x 36” and features a multi-function shower head and 2 body sprays.  My client can use just the shower head, just the body sprays or both.  A recessed niche has separate shelves for soap and for bottles.  The l-shaped end wall allows the bather to see the window and helps the long, narrow room feel more porous. 

A corner bench and end grab-bar makes it easier for my client to wash her feet or shave her legs.  The shower pan is a solid surface material. 

Well-Fitted Shower

Vanity with lots of drawers for storage. 

The custom vanity is 57” wide with 6 drawers.  It size and spare lines are quite modern – and it certainly pushes the boundaries of what’s feasible.  The top and middle drawer boxes are cut out around the sink basin and plumbing.  The selection of drawer pulls continues the modern lines but also helps make opening these large drawers effortless.  
 

Custom Vanity with Lots of Storage

A Modern Jewel Set in an Historic Home.

Notice the 5” wide original moldings around the door and window.  The scale and details work well with the modern lines of the new bath.  We restored the transom over the bath door but replaced the original flat panel door with a frosted glass door with sticking that matches the sticking in the original flat panel door. 

Modern Lines Within Historic Framework

Several Levels of Lighting

The bath has 5 layers of lighting:
- Two Skylights – one original and one matching new one
- Dimmable Sconces on both sides of the bath
- Low-Voltage Cans to Illuminate the Glass Sink
- Ceiling Lights
- A Dimmable Shower Light

Color Palette

The color palette is at once serene and vibrant.  The main elements of the palette include the green of the glass and the tile, slate from the veining in the tile and flooring and the stain of the cabinetry, white of the fixtures, polished chrome, and red Marmoleum sheet flooring.  The ceiling is a very light violet to complement the greens.  The color palette helps the modern lines blend with the historic home. 

Before Picture - Looking from Doorway

A dramatic palette of aubergine, grayed green, grey and creamy white

3 Elements – color, furnishings and lighting – turn a row house in the Glover Park neighborhood of Washington DC into a stylish new home for a young professional couple.  The photos were all taken by the owner – Margaret Allen – a very talented photographer .  Margaret and her husband were equally involved in the selection of the furnishings and accessories.  It all happened in the course of a few months over this summer while the couple took turns traveling overseas on business.  I developed the color palette and made suggestions about fabrics, furnishings, coordination, and tradesmen.  [Note: the “before” pictures are from before the couple purchased the home.]

The palette complements the tile of the fireplace and natural oak flooring

Living Room “Before” the Couple Purchased the house

My Clients Achieved the “West Elm” Look They Wanted Without Cookie-Cutter Selections

This palette conforms to my usual prescription:  Entries and transitions should be deep tones.  This reinforces the sense of arrival and passage through the home.  The tones become lighter as you move through the house and toward the daylight of larger windows and doors on the back of the house.  This creates a much greater sense of space.  While each room is a different color, the colors blend into a harmonious palette that complements the wood of the floors, the tile in the fireplace and the tones and textures of the other “built-in” features.  The walls are all a Matte texture.  The matte sheen absorbs more light yielding richer tones and hiding imperfections on the wall surface.  The accent color – in this case a very deep purple – acts to both accentuate the space and delineate purpose.  It is such a deep tone that in many lights it almost reads as a neutral color.  A mixture of textures and subtle patterns keeps the palette exciting.  A white-toned trim color highlights the architecture of the space especially the stairway and bookshelves.  New recessed lights in the living room and soffits help accentuate the wonderful photography and provide a delightful ambiance. 

The Deep Purple Accent Color on a Duct Chase Helps Accent the Transition Between Rooms

The deep purple is used again to accentuate the transition to the family room & kitchen

The Family Room Has the Most Natural Light and is the Lightest Color

Notice how the Dining Room Rug Reflects the Accent Color and Blends it with the Natural Oak Flooring & the Lighter Tones of the Upholstery in the Adjacent Living Room

The Deeper Tones of the Living Room Wall Are a Perfect Foil for the Wife’s Photography

Notice How the Deep Tone on the Walls and the White Risers Create An Architectural Statement in the Entry

The Stairway & Entry “Before”

Remodeling Doesn’t Always Mean Moving Walls and Renovating Kitchens.  It can be a simple refreshing of surfaces with paint and fabric to yield a remarkable “new” home.

After – The background arch is seen in the Before Picture Below. The foreground arch is new.

Before – Same View. In the after view you can see that we divided & raised one section of the living room to make it feel larger and more connected to the outside

Before - Another Before View Showing How the Windows felt separated from the living area

My client lives in a delightful late-1920’s art-deco building close to Rock Creek Park and the National Zoo — in the neighborhood known as Woodley Park.  The building was converted to condos in 1973 and offers high ceilings and classic details. 

While my client loves the building and her unit, the living room was awkward – long and narrow.  The only natural light comes from windows at one end of the room.  The windows felt seperated from the living area because that section was raised on a platform — probably a former porch.  While Rock Creek Park was right outside, my client felt cut off from it.  She also wanted more built-in bookcases and storage.  She showed me pictures of window seats and built-ins clipped from magazines that she liked. 

During the conceptual design phase, I developed 5 different options for the living area – most of the options – including the one she selected — broke the living room into 2 areas.  The floor height of the area furthest from the foyer and closest to the large windows was raised to the height of the old porch platform.  Raising the floor 5” is hardly noticeable with original 9’ 3” ceilings.  This allowed us to incorporate the natural light into the main living area.  The area closest to the foyer was converted into a “piano” room.  A new arch – that matches the arches original to the unit – divides the reconfigured living room from the newly created piano room. 

All options included a window seat and my client selected my favorite — an asymmetrical window seat that invites you to lounge with a view out the window while still being engaged in conversation within the room.  It also provides additional storage and display space.  The design also has a less formal feel.  The homeowner can sit on the window seat to watch TV or use it as a cozy reading nook with lots of natural light.  And with this summer’s excessive heat, she often sat on the window seat reading and watching the park.  The original design was for a curved seat.  We changed it to straight lines to save a bit of money.   Also to save money, we made the back of the window seat square and plumb and specified the back cushion to be wedge shaped for comfort.  The top of the window seat and surrounding cabinetry became the window sill for a clean look and for function.  The casings around the windows were in bad shape so we replaced them but kept the same profile. 

The asymetrical window seat encourages lounging while looking out the window and still being engaged in conversation

The window sill becomes the top of the window seat & cabinet.

Window Seat with Adjacent Storage & Built-ins

Built-ins surround the window seat plus we designed an additional full wall of built-ins in the reconfigured living room.  Crown molding was added throughout the living room, piano room and foyer adding additional architectural detail to an already rich unit.  The large flat-panel TV plus hidden components were selected before designing the built-ins so they fit-in well.  A perforated metal panel keeps the components out of sight but still allows line of sight for remote controls to operate.  We used a square grid that looks a bit more modern.  We also replaced the metal panel on the radiator to match.  We left the brushed aluminum unpainted. 

Custom Designed Built-ins

We also updated the paint, fixed lighting and art arrangements throughout the unit.  Originally the living room and foyer were painted in antique white because the homeowner was afraid the unit would feel too dark otherwise.  Even though we used quite saturated colors in the new palette, the unit feels larger and brighter.  The deep reddish brown in the foyer really sets off the living and dining rooms.  The semi-gloss paint of the built-ins – particularly the window seat — reflects light into the room.  The matte finish on the walls and ceiling absorb the reflected light.  As I do for almost all my clients, we used deeper tones in the center of the unit and moved toward lighter tones as you move toward natural light.  This helps make the whole unit feel larger and brighter than when it was painted a single light color. 

My client has a lot of artwork but didn’t have most of it displayed.  To display all the work, we grouped lots of different artworks into large groupings on several walls.  As additional cost-savings measures, we kept the existing frames and deliberately created interesting mixes of art and framing.  We also put a threshold between the foyer and the new piano room, this eliminated the need to refinish the floors in the rest of the unit. 

The New Color Palette Makes Home Feel Larger

Groupings of Artwork with mis-matched frames lend detail and character

Another Grouping of Artwork

Foyer After - Notice How it Welcomes You Either from the Living Room or as You Enter

Foyer Before

The Deep Reddish-Brown was used in the hallway as well as the Foyer Resulting in a Feeling of Expansion as you Enter the Lighter Colored Rooms

My client says she feels happy each time she opens the door to enter her remodeled unit.  “I just can’t believe how great everything looks.  I especially like how the outdoors feels so much closer.  I can’t wait until autumn arrives so I can sit on the window seat and watch the leaves change color.” 

Floor Plan After

Floor Plan Before

Notice How the Grayed-Green Walls Show Off Art & The Exposed Ceiling Detail

A neighbor and friend in Takoma Park, MD was planning to paint the interior of her home.  It’s a wonderful craftsman – small but with lots of nice details. I had always thought the house was a bit washed out with a light, monochromatic color palette.  I asked if she was open to something new.  Here’s the result and her own words about the change:
 

AFTER - The small home feels larger with more detail

Off-White Walls Lack Depth & Interest

 
“My house is a tiny Craftsman bungalow with small rooms.  It’s filled with an eclectic collection of art, antiques, and other stuff I’ve inherited, collected, or made myself.  There’s no theme, period, or color scheme.  With this much variety in little spaces, I thought I needed a uniform, neutral background like khaki and white.

“The house feels bigger now.  The darker walls recede.  When I walk through the house, there are subtle changes in the wall colors and light, so it feels like a journey in several stages.  That captures my senses and makes the walk seem longer.

“I’ve always loved the beam and board ceiling in the living room, but it never really showed up like it should.  Now it reflects light, shadow, and paint colors as the light changes.  I find myself slouching in my easy chair, looking up, and enjoying the show.

“I especially enjoy the contrast between the tiny kitchen and the largest room, the living room.  The kitchen ceiling, painted dark gray green, feels lower than it really is, and makes it seem cozy.  Then when I walk into the living room, the white beam and board ceiling seems much higher and bigger than it actually is.  Welcome to Versailles! 

“My collection of art and things looks good against the gray green walls.  I wasn’t surprised that the reds really sing, but I was delighted at how good the greens and blues look.  “
 

Notice How the Contrast of Trim and Room Transitions Enhance the Experience

Add Depth & Dimension with Wall Color

Artwork is Enhance with Wall Color

Wall Color Enhances Artwork

I follow certain rules when I develop a palette for a home.  The transition areas (foyer and hallways) are the deepest most intense color within the palette.  The wall color gets lighter as you move through the home toward the rooms with the most daylight.  All wood trim is painted the same color for continuity – usually an off-white that coordinates with the paint.  In this case, with a palette of greyed-greens, the white has hint of yellow for a soft crème to contrast with the walls and the wood blinds.  I prefer quite complex colors – ones where it’s hard to say what’s in it.  These colors provide the greatest variability on the wall reflecting different hues depending on the light source and value.  Shadows and highlights are shown to great effect.  I also prefer matte finish because imperfections in the wall surface are less visible and they absorb the most light and therefore reflect the best color.

A back porch Welcomes Clients and the Neighborhood

I live down the street from a 4-Square built around 1915.  It’s at a prominent intersection and is zoned commercial.  A string of non-descript businesses have leased space there.  The house wasn’t a blight on the neighborhood but it didn’t add anything either.  Then “The Still Point”  a well-respected holistic spa took up residence.  First they built-out their interior; then they moved on the exterior.  In the course of approximately 2-weeks the outside of the building when from non-descript to warm and welcoming.  Thoughtful paint, lighting, furniture and decoration turned a cold, inward-looking structure into a nicely scaled building that beckons the neighborhood into its doors.

AFTER - Main Neighborhood View

BEFORE - Main Neighborhood View - Courtesy of Google Earth

The, above,  After and Before pictures are the view from the main intersection.  A new, wide stairway from the back porch welcomes visitors.  As seen in the introductory image, outdoor drapes help create an intimate space while ceiling fans, furniture and potted palms help make the space intimate.  

A Closer View of the Back Stairs

AFTER - View of the Front of the House

BEFORE - Front of House

The front porch (see After and Before, above) received a slightly more formal but equally inviting make-over.  The line of semi-flush light fixtures – while providing more light than is strictly necessary – creates an extremely attractive rhythm.  The door, made prominent with black contrasting paint, is no longer over-emphasized. 

Notice that they also cleaned up the various phone and cable lines coming into the house so that they no longer distract from the front porch. 

Carpeted Front Steps

Porch steps were carpeted in a deep forest outdoor carpeting to avoid the slipperiness of painted wood.  A water feature near the front door, providing a welcoming auditory break from the street.
 

Welcoming Front Porch

The mocha and crème color scheme brings out the subtle colors of the roof and highlights the architecture much better than did the former white, dark grey and red scheme.  The more subtle palette also contrasts nicely with the black powder-coated furniture and lighting fixtures.  Our eye likes contrast and texture and the new palette caters to these preferences.

Other than the back steps to the porch, there were no structural changes, but now the building is a part of and beckons to the neighborhood rather than standing apart.

Consider the following sets of pictures — Each a “Before” and ” After”.  The first 3 sets are from homes that I remodeled for clients.  These pictures represent areas that had the smallest structural changes but in each case the original white walls/white trim were repainted with more color and contrast.  In each case the home looks larger after the white walls were painted with color.

Set 1:  Living Room

"After" - Taupe Walls Provide Contrast and Perspective

"Before" - White Walls & Trim Make The Home Look Smaller

Notice how the distances between the furniture and the walls and the front room and room behind feel larger in the “After” photos.  This entire effect is created with color and contrast.  The contrast of the off-white trim and the taupe walls as well as the smaller area rug make the living room feels larger.  The Sun Room, behind, is painted a much lighter color and therefore feels farther away – making the whole home feel larger.

The artwork has changed between “Before” and “After”.  However, you can also notice how the darker walls, help intensify and therefore make more noticeable the contrast with the creamy color of the mat and also the family photos used (although rearranged) before and after.

Set 2:  Living Room

"After" - Color Enlarges This Home

"Before" - White Walls & Trim Make the Home Look Smaller

You see exactly the same effect by use of color “Before” and “After”.  The room behind looks further away and the artwork is more defined and more of a focal point because of the greater contrast and definition.  Our eye requires definition in order to perceive distance.  An all white room lacks definition and therefore is actually made to feel smaller.

Set 3:  Bedroom

"After" - Color & Details Enlarge Bedroom

"Before" - The White Walls Make the Bedroom Feel Smaller

We painted my client’s formerly white condo, several saturated and pale shades of green with a very saturated reddish brown entryway and accents.  Everyone who comes in thinks the condo looks much larger.  One even asked if she purchased the unit next door and broke through!

Our eye needs depth landmarks to perceive size.  In the “Before” image, the individual large pieces of furniture against the off-white walls makes things feel crowded and close together.  In the “After” picture, the contrast and details make the room feel larger.  In addition, the light bounces off the semi-gloss paint of the built-in bookcases sending light further into the room.  Granted, some of these effects would be true if the built-ins had been painted white but the effect is accentuated by the addition of color.

Notice, also, that the objects displayed in the open shelves also take on more definition against the deeper color.

In the “After” room, the ceiling is painted a bluish-violet.  It reads as a nice shadow effect and also enhances the green of the walls.

Set 4: Living Area
I’ve taken the next 3 images from the web.  I’ve doctored  the “After” image by adding an intense blue ceiling and an accent of deep rust.

"After" - Blue Ceiling Lends Perspective & Scale

"Before" - All White Ceiling and Walls is Devoid of Scale

In the doctored image, the room feels larger; Our eye needs boundaries to perceive scale.   When we don’t see boundaries and something beyond the boundary, we perceive areas as smaller.

In the image, below, from the same home, the white is balanced and given scale and depth by the black and white checkerboard floor in the background and the foreground straw color of the seat cushions.  Although, again, an intense blue ceiling would add additional perspective and depth to the room.  Click Here to see read more about this home.

Contrast Adds Perspective

Set 5: Colored Walls and Artwork

Colored Walls Enhance Artwork

White Goes With All Artwork - But enhances Few

The first image is accurate; I doctored the 2nd image to achieve a “white” wall.  To my eye, the artwork is enhanced by using the greyed-green on the walls  — a near complement to the predominant rusts and reddish-browns in the paintings, the mantle and sculpture.  Even the artist commented that the paintings never looked better than in this setting.  Gallery walls are white because no single color will enhance all artwork.  And white will not clash with any particular artwork.  In your home, though, you have the flexibility to select the right tone to bring out the best in your artwork and furnishings.

Now on to the last 2 myths:  All white can be unsettling and not restful if there isn’t sufficient contrast and focal points on which our eye can rest.  Imagine the room, below, without the accent of the yellow desk and the high contrast of the artwork on the back wall.  Our eye would be searching for a place to land.  As it is, the dark floor serves the same purpose as the blue ceiling in one of the photos above – the ability to perceive boundaries.  And the yellow focal point and the graphic art gives our eye the contrast and resting place that we need to feel comfortable.   See more of this office here.

White Needs Contrast to Work

It is for all these reasons that it’s not always best to paint your interior all white or beige when you’re getting ready to sell your home.  You certainly don’t want to paint the ceiling turquoise but you do want to provide sufficient contrast and interest that the buyer perceives the size and scale – or ideally perceives even greater size and scale that what you offer.

I’m not in any way suggesting that you shouldn’t use white.  But when you do, make sure you add sufficient contrast and detail to relieve boredom.

Here is some additional reading for ideas about how to select a color scheme that works.

• What Makes Color Work
• Color Concepts – Another Palette

We created abundant storage without appreciably making the room any smaller – in fact, the room actually feels larger!  The feeling of additional space comes from the rich detailing that adds a feeling of depth and from the additional light that’s bounced off the reflective wood work.

AFTER - 2 Walls of Build-In Storage in the Style of the Building

We built-in storage on two walls in a style that could have been original to the building.  It feels much more appropriate than the original bedroom, below (from the same viewpoint).

BEFORE Work Began

The drawers on the bottom are only one stack of clothing deep but provide abundant “dresser” space.  They take up only as much depth as the original radiator on one wall and are actually less deep than the armoire that was on the wall opposite the bed.  Closed shelving above is good for clothes as well as for hats and other accessories.  Each wall also contains a bit of display space to add interest and the ability to personalize the space.

Storage on Window Wall Takes Up No More Depth Than Radiator

Notice How The Blinds Reflect the Color of the Hallway

The wall opposite the bed has a spot for a small TV as well as 6 shallow drawers so jewelry and accessories don’t get lost in regular sized drawers.

We also paid attention to details.  In the image, above, notice how the color of the natural woven blinds picks up the deep reddish brown of the hallway (to the far left of the photo).  The reddish-brown helps make the sage green feel clean and crisp.  Notice the graceful curve of the “leg” of the cabinets while still retaining a toe kick so that dirt doesn’t get trapped beneath.  Notice how the curve of the leg is repeated in the curve of large drawer pulls.  The large pulls mean that you don’t need 2 hands to open a wide drawer.  Notice how the proportions of the built-in cabinets — the tall doors and vertical lines of the fluting — actually makes the tall ceilings both more dramatic and more personal.  Notice how the top of the radiator cover becomes the molding between the upper and lower cabinets.  Notice in the upper images how the lighter, reflective paint on the cabinets beside the window reflect additional light into the room.

Notice, below, the palette of a deep sage green on the wall and a lighter more greyed sage green on the wood work.  It’s a restful and sophisticated palette with the reddish brown of the blinds adding just a punch of color and texture.  And finally, notice in the final image the appealing  juxtaposition of textures in the aluminum perforated metal covering the radiator contrasting with the fluting contrasting with the smooth curve of the cabinet pulls and the semi-gloss finish of the paint.

Notice the Sophisticated Color Palette

The textures play against each other

My client reports that she wouldn’t change a thing!  She says it turned out even better than she expected — and she expected a lot.

1 – Take the doors off one or more of your upper cabinets:

Remove Cabinet Doors for A Kitchen Facelift

In this kitchen, we sanded the cabinets, painted the interior white and used a water based sage green stain on the exterior and use plate racks to display everyday and colorful dishes and bowls.  A microwave and whimsical wine rack complete the picture.  But you could also use square baskets to hold cereal and other food items, or use wine glass holders or other specialty fittings to display your special kitchenware.  You’ll probably want to do this only for cabinets and items that get frequent use so that dust doesn’t build-up.

2 – Paint the Walls and Ceiling:

Add Paint to Refresh Your Kitchen - Don't Forget the Ceiling

Sometimes all a kitchen needs is a new coat of paint.  The turquoise of this kitchen is a perfect complement to the white, brown and grey of the rest of the palette.  See other color ideas from Emma Christensen here. And don’t forget the ceiling – whether you paint it an accent color (like here) or a pale complementary color to the walls—think about something other than ceiling white.

3 – Stain or Paint the Cabinets:

We took builder-grade golden oak cabinet and gave them a custom mixed stain somewhere between ebony and red mahogany – it feels like a completely new kitchen.

Stain Cabinets for A Kitchen Facelift

Paint Cabinets for A Kitchen Facelift

For more color ideas, check out this post by Jill Connors on This Old House:

Deep Purple Wall Color Accent Frames Dining Room

My client in Arlington, Virginia asked me for help selecting colors for their new home.  They live in a mid-century modern ranch designed for an architect for himself and his family.  One wall is a beautiful concrete brick wall in a beautiful shade of sage (see below).  So we selected 2 different greens that would reflect the brick wall and also the daylight exposure in each room.  When I suggested a very deep purple as an accent wall they were quite skeptical.  I suggested the color as a perfect near-complement to the grayed sage greens.  And also to accent the architecture.

I got these photos today along with a message that ended:  “So, we did trust you, and glad we did ”

Custom Brick Wall Sets Palette